The Grey Fox (1982)

★★★★ – It’s an adventure as bountiful as any, set in a world where appreciation and innovation left the Wild West behind, but allowed its sentiments to linger a little while longer.

Hammer (2020)

★★★½ – Hammer possesses such a strong understanding of its characters that if its half-dead catalyst was sprawled out in their living room instead of a cornfield, the heart behind the decisions wouldn’t flake.

Shirley (2020)

★★½ – While Shirley’s quest to irk is regularly fulfilled and Elisabeth Moss shines as the titular author, the pretentious pomp of the onscreen academics and the overall lack of thrills makes this “thriller” a promising dud.